| 000 -LEADER |
|---|
| fixed length control field |
03137cam a2200421 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
ocn982184664 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20180404090129.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
180330s2017 nyua 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781138950603 (paperback) |
|
|---|
| International Standard Book Number |
1138950602 (paperback) |
|
|---|
| International Standard Book Number |
9781138950627 (hardcover) |
|
|---|
| International Standard Book Number |
1138950629 (hardcover) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)982184664 |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1996 |
| Item number |
.S725 2017 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Stevens, Andrew, |
| Dates associated with a name |
1955- |
| 9 (RLIN) |
782170 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Screenwriting for profit : |
| Remainder of title |
writing for the global marketplace / |
| Statement of responsibility, etc |
Andrew Stevens. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
New York, N.Y. : |
| Name of publisher, distributor, etc |
Routledge, Taylor & Francis Group, |
| Date of publication, distribution, etc |
2017. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xvi, 200 p. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Critical criteria before determining your subject matter -- The independent film and television alliance and the American film market: Services and opportunities that benefit screenwriters -- The Cannes film market and festival -- Writing for the marketplace -- Building a career - Everyone starts somewhere -- Historical context of the recent evolution of media gives writers perspective -- Screenplay structure and components -- Inspiration, sequels, remakes, and reboots -- Character development from an actor's perspective -- A screenwriter's perspective -- A director's perspective -- A producer's perspective -- Writing for cost-effective budgets -- Financing -- Writing is a team sport -- Studio due diligence: How the big boys cater to the little boys -- New media - New model - As significant as the majors -- Non-union vs. union writers' agreements -- Writers' protections -- Non-disclosure, non-circumvention, and confidentiality agreements -- Screenplay submissions -- The pitch. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Motion picture authorship. |
| 9 (RLIN) |
325062 |
|
|---|
| Topical term or geographic name as entry element |
Motion picture authorship |
| 9 (RLIN) |
782174 |
| General subdivision |
Vocational guidance. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Book |
| Koha issues (borrowed), all copies |
1 |
| 997 ## - STAFF NAME |
|---|
| ผู้ทำรายการ |
WU |
