A history of narrative film / (ระเบียนเลขที่ 721789)

000 -LEADER
fixed length control field 03535cam a2200313 i 4500
001 - CONTROL NUMBER
control field ocm05751281
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220330093725.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220104s1981 nyua b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 79025862
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0393090221 (pbk.)
International Standard Book Number 9780393090222 (pbk.)
International Standard Book Number 0393013707
International Standard Book Number 9780393013702
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)5751281
Canceled/invalid control number (OCoLC)59154177
-- (OCoLC)877626112
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1993.5.A1
Item number C656 1981
100 1# - MAIN ENTRY--PERSONAL NAME
9 (RLIN) 821392
Personal name Cook, David A.
245 12 - TITLE STATEMENT
Title A history of narrative film /
Statement of responsibility, etc David A. Cook.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc New York :
Name of publisher, distributor, etc Norton,
Date of publication, distribution, etc ©1981.
300 ## - PHYSICAL DESCRIPTION
Extent xxiii, 721 p. :
Other physical details ill.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references (pages 671-692) and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Origins -- International expansion, 1907-1918 -- D.W. Griffith and the Consummation of narrative form -- German Cinema of the Weimar period, 1919-1929 -- 5 Soviet Silent Cinema and the Theory of Montage, 1917-1931: The pre revolutionary cinema, The birth of the Soviet cinema, Dziga Vertovand the Kino-eye, Lev Kuleshov and the Kuleshov workshop, Sergei Eisenstein, Vsevolod Pudovkin, Alexander Dovzhenko, Other Soviet film makers, Socialist realism and the decline of Soviet cinema -- 6 Hollywood in the Twenties: Thomas Ince, Mack Sennett and the studio system of production, Charlie Chaplin, Buster Keaton, Harold Lloyd and others, Hollywood scandals and the creation of the MPPDA, Cecil B. DeMIlle, The continental touch (Lubitsch and others), In the American grain, Erich von Stroheim -- 7 The Coming of Sound and Color, 1926-1935: Sound on disk, sound on film, Vitaphone, Fox Movietone, the process of conversion, The introduction of color, Problems of early sound recording, The theoretical debate over sound, The adjustment to sound -- 8 The Sound Film and the American Studio System: New genres and old, Studio politics and the production code, The structure of the studio system, Major figures in the studio era -- 9 Europe in the Thirties: Britain, Germany, The Soviet Union, France -- 10 Orson Welles and the Modern Sound Film: Citizen Kane, Welles after Kane.
Formatted contents note 11 Wartime and Postwar Cinema: Italy and The United States, 1940-1951:The effects of war, Italy, America -- 12 Hollywood, 1952-1965: The conversion to color, Widescreen, American widescreen pioneers, Other American directors, Fifties genres, Independent production and the decline of the studio system, The scrapping of the production code -- 13 The French New Wave and Its Native Context: The occupation and post-war cinema, The influence of the Fifties documentary movement and independent production, Theory (Astruc, Bazin and Cahiers du Cinema), The New Wave (the first films), The New Wave (The origins of style), Major New Wave figures, The significance of the New Wave -- 14 European Renaissance: West -- Britain, Commonwealth cinema (Australia and Canada), The second Italian film renaissance, Contemporary widescreen technologies and styles, Ingmar Bergman, Luis Bunuel -- 15 European Renaissance: East -- Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, Romania, the Soviet Union -- 16 Wind from the East: Japan and Elsewhere -- Japan, Satyajit Ray and Indian film, A note on china -- 17 The Shape of the Seventies: Third world cinema, Germany (Das Neue Kino), Hollywood, 1965-1970, Hollywood in the seventies, The shape of the future.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
9 (RLIN) 321117
Topical term or geographic name as entry element Motion pictures
General subdivision History.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Item type Book
Koha issues (borrowed), all copies 1
948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN)
h (OCLC) HELD BY TULIB - 946 OTHER HOLDINGS
997 ## - STAFF NAME
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Withdrawn status Lost status Source of classification or shelving scheme Damaged status Item status (Not for loan) Collection code Permanent location Current location Shelving location Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Checked out Date last seen Date last borrowed Cost, replacement price Price effective from Koha item type
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