Cinema / Alain Badiou ; texts selected and introduced by Antoine de Baecque ; translated by Susan Spitzer.  (Text) (Text)

Badiou, Alain
Call no.: PN1995 .B33 2013Publication: Cambridge : Polity, c2013Description: x, 269 pNotes: Translated from the French.ISBN: 9780745655673 (hardback); 074565567X (hardback); 9780745655680 (pbk.); 0745655688 (pbk.)Subject(s): Motion pictures -- PhilosophyMotion pictures -- HistoryFilm criticismLOC classification: PN1995 | .B33 2013
Contents:"Cinema has given me so much" -- Cinematic culture -- Revisionist cinema -- Art and its criticism -- The suicide of Grace : Le Diable probablement -- A man who never gives in -- Is the orient an object for the western conscience? -- Reference points for cinema's second modernity -- The Demy affair -- Switzerland : cinema as interpretation -- Interrupted notes on the French comedy film -- Y a tellement de pays pour aller -- Restoring meaning to death and chance -- A private industry, cinema is also a private spectacle -- The false movements of cinema -- Can a film be spoken about? -- Notes on The last laugh -- "Thinking the emergence of the event" -- The divine comedy and The convent -- Surplus seeing : Histoire(s) du cin᤭a -- Considerations on the current state of cinema -- The cinematic capture of the sexes -- An unqualified affirmation of cinema's enduring power -- Passion, Jean-Luc Godard -- "Say yes to love, or else be lonely" : Magnolia -- Dialectics of the fable : The matrix -- Cinema as philosophical experimentation -- On cinema as a democratic emblem -- The end of a beginning : Tout va bien -- The dimensions of art : Forgiveness -- The perfection of the world, improbable yet possible.
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Book Book Boonchoo Treethong Library, Lampang Campus
General Books General Stacks COMMD PN 2013 619562 (เรียกดูชั้นหนังสือ) พร้อมให้บริการ
31379014597117
Book Book Faculty of Journalism and Mass Communication Library
General Books General Stacks PN1995 .B33 2013 (เรียกดูชั้นหนังสือ) พร้อมให้บริการ
31379014135330
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Translated from the French.

"Cinema has given me so much" -- Cinematic culture -- Revisionist cinema -- Art and its criticism -- The suicide of Grace : Le Diable probablement -- A man who never gives in -- Is the orient an object for the western conscience? -- Reference points for cinema's second modernity -- The Demy affair -- Switzerland : cinema as interpretation -- Interrupted notes on the French comedy film -- Y a tellement de pays pour aller -- Restoring meaning to death and chance -- A private industry, cinema is also a private spectacle -- The false movements of cinema -- Can a film be spoken about? -- Notes on The last laugh -- "Thinking the emergence of the event" -- The divine comedy and The convent -- Surplus seeing : Histoire(s) du cin᤭a -- Considerations on the current state of cinema -- The cinematic capture of the sexes -- An unqualified affirmation of cinema's enduring power -- Passion, Jean-Luc Godard -- "Say yes to love, or else be lonely" : Magnolia -- Dialectics of the fable : The matrix -- Cinema as philosophical experimentation -- On cinema as a democratic emblem -- The end of a beginning : Tout va bien -- The dimensions of art : Forgiveness -- The perfection of the world, improbable yet possible.

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