Jane Campion and adaptation : angels, demons and unsettling voices / Estella Tincknell.  (Text) (Text)

Tincknell, Estella
Call no.: PN1998.3.C367 T56 2013Publication: Basingstoke, Hampshire : Palgrave Macmillan, 2013Description: viii, 139 p. : illNotes: List of images inserted.ISBN: 9780230229006 (pbk.); 023022900X (pbk.); 9780230228993 (hbk.); 0230228992 (hbk.)Other title: Jane Campion & adaptation [Spine title]Subject(s): Campion, Jane, 1954- -- Criticism and interpretationFilm adaptations -- History and criticismLOC classification: PN1998.3.C367 | T56 2013
Contents:Machine generated contents note: pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic --Contents note continued: Re-articulating film genres four: In the Cut's rewriting of film noir.
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Book Book Faculty of Journalism and Mass Communication Library
General Books General Stacks PN1998.3.C367 T56 2013 (เรียกดูชั้นหนังสือ) พร้อมให้บริการ
31379014496658
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List of images inserted.

Includes bibliographical references (p. 123-130) and index.

Machine generated contents note: pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic --

Contents note continued: Re-articulating film genres four: In the Cut's rewriting of film noir.

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