Screenwriting for profit : writing for the global marketplace / Andrew Stevens.  (Text) (Text)

Stevens, Andrew, 1955-
Call no.: PN1996 .S725 2017Publication: New York, N.Y. : Routledge, Taylor & Francis Group, 2017Description: xvi, 200 pISBN: 9781138950603 (paperback); 1138950602 (paperback); 9781138950627 (hardcover); 1138950629 (hardcover)Subject(s): Motion picture authorshipMotion picture authorship -- Vocational guidanceLOC classification: PN1996 | .S725 2017
Contents:Critical criteria before determining your subject matter -- The independent film and television alliance and the American film market: Services and opportunities that benefit screenwriters -- The Cannes film market and festival -- Writing for the marketplace -- Building a career - Everyone starts somewhere -- Historical context of the recent evolution of media gives writers perspective -- Screenplay structure and components -- Inspiration, sequels, remakes, and reboots -- Character development from an actor's perspective -- A screenwriter's perspective -- A director's perspective -- A producer's perspective -- Writing for cost-effective budgets -- Financing -- Writing is a team sport -- Studio due diligence: How the big boys cater to the little boys -- New media - New model - As significant as the majors -- Non-union vs. union writers' agreements -- Writers' protections -- Non-disclosure, non-circumvention, and confidentiality agreements -- Screenplay submissions -- The pitch.
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ประเภททรัพยากร ตำแหน่งปัจจุบัน กลุ่มข้อมูล ตำแหน่งชั้นหนังสือ เลขเรียกหนังสือ สถานะ วันกำหนดส่ง บาร์โค้ด การจองรายการ
Book Book Faculty of Journalism and Mass Communication Library
General Books General Stacks PN1996 .S725 2017 (เรียกดูชั้นหนังสือ) พร้อมให้บริการ
31379008441165
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Critical criteria before determining your subject matter -- The independent film and television alliance and the American film market: Services and opportunities that benefit screenwriters -- The Cannes film market and festival -- Writing for the marketplace -- Building a career - Everyone starts somewhere -- Historical context of the recent evolution of media gives writers perspective -- Screenplay structure and components -- Inspiration, sequels, remakes, and reboots -- Character development from an actor's perspective -- A screenwriter's perspective -- A director's perspective -- A producer's perspective -- Writing for cost-effective budgets -- Financing -- Writing is a team sport -- Studio due diligence: How the big boys cater to the little boys -- New media - New model - As significant as the majors -- Non-union vs. union writers' agreements -- Writers' protections -- Non-disclosure, non-circumvention, and confidentiality agreements -- Screenplay submissions -- The pitch.

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