The hum of the world : a philosophy of listening / Lawrence Kramer.  (Text) (Text)

Kramer, Lawrence, 1946-
Call no.: B105.S59 K73 2018Publication: Oakland, Calif. : University of California Press, [2018]Description: vii, 244 pISBN: 9780520303492 (hardcover); 0520303490 (hardcover)Subject(s): Sounds -- PhilosophySounds -- Social aspectsMusic -- Philosophy and aestheticsLanguage and languages -- PhilosophyLOC classification: B105.S59 | K73 2018
Contents:Prelude -- Sound and knowledge -- The audiable: an introduction -- Some leitmotifs -- The standard of vision -- A philosophy of listening? -- Constructive description -- Sight, sound, and language -- The sound of words -- Seeing, saying, and hearing -- The audiable: variations on a theme -- Music in the air -- "No sound without music" -- Language and the human -- Lord Bacon's echoes -- Ripple effects: distant voices -- The infinite broadcast -- Immanence -- Reading transfigured: St. Augustine -- To the life: the image -- Moving pictures -- Modern times: the cartoon -- The sound of meaning -- Music and the audiable: a suite in three movements -- Plato's singing school -- Musical synesthesia -- The music of language -- The soundscape -- Song -- Noise and silence -- Fish, flesh, or fowl -- Sensory hybrids -- "Waiting to be the music" -- Circle songs -- Forty-part motets -- The ether -- Elemental media -- Elemental fluids -- Writing the soundscape -- Haunting melodies -- The lifelike. The undead -- Beyond words? -- The audiable and the audible -- Into silence -- Enchantments of the name -- The inaudible -- On saying "I am" -- The shriek -- Metal -- Here comes that song again -- The mirror of silence -- Rhythmic hearing -- Media all the way down -- The auditory window -- Cacophony: dispossession (Beckett) -- Euphony: repossession (Beckett) -- Worldly dissonance -- Sounds of battle: the Civil War -- Sounds of battle: World War One -- Ulysses in Auschwitz -- Sounding bodies -- Pandemonium? -- Songs of entropy -- By hand -- Past and present -- Consciousness.
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Includes bibliographical references and index.

Prelude -- Sound and knowledge -- The audiable: an introduction -- Some leitmotifs -- The standard of vision -- A philosophy of listening? -- Constructive description -- Sight, sound, and language -- The sound of words -- Seeing, saying, and hearing -- The audiable: variations on a theme -- Music in the air -- "No sound without music" -- Language and the human -- Lord Bacon's echoes -- Ripple effects: distant voices -- The infinite broadcast -- Immanence -- Reading transfigured: St. Augustine -- To the life: the image -- Moving pictures -- Modern times: the cartoon -- The sound of meaning -- Music and the audiable: a suite in three movements -- Plato's singing school -- Musical synesthesia -- The music of language -- The soundscape -- Song -- Noise and silence -- Fish, flesh, or fowl -- Sensory hybrids -- "Waiting to be the music" -- Circle songs -- Forty-part motets -- The ether -- Elemental media -- Elemental fluids -- Writing the soundscape -- Haunting melodies -- The lifelike. The undead -- Beyond words? -- The audiable and the audible -- Into silence -- Enchantments of the name -- The inaudible -- On saying "I am" -- The shriek -- Metal -- Here comes that song again -- The mirror of silence -- Rhythmic hearing -- Media all the way down -- The auditory window -- Cacophony: dispossession (Beckett) -- Euphony: repossession (Beckett) -- Worldly dissonance -- Sounds of battle: the Civil War -- Sounds of battle: World War One -- Ulysses in Auschwitz -- Sounding bodies -- Pandemonium? -- Songs of entropy -- By hand -- Past and present -- Consciousness.

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