000 03137cam a2200421 i 4500
999 _c689031
_d689030
001 ocn982184664
003 OCoLC
005 20180404090129.0
007 ta
008 180330s2017 nyua 001 0 eng
020 _a9781138950603 (paperback)
020 _a1138950602 (paperback)
020 _a9781138950627 (hardcover)
020 _a1138950629 (hardcover)
035 _a(OCoLC)982184664
050 _aPN1996
_b.S725 2017
100 1 _aStevens, Andrew,
_d1955-
_9782170
245 1 0 _aScreenwriting for profit :
_bwriting for the global marketplace /
_cAndrew Stevens.
260 _aNew York, N.Y. :
_bRoutledge, Taylor & Francis Group,
_c2017.
300 _axvi, 200 p.
505 0 _aCritical criteria before determining your subject matter -- The independent film and television alliance and the American film market: Services and opportunities that benefit screenwriters -- The Cannes film market and festival -- Writing for the marketplace -- Building a career - Everyone starts somewhere -- Historical context of the recent evolution of media gives writers perspective -- Screenplay structure and components -- Inspiration, sequels, remakes, and reboots -- Character development from an actor's perspective -- A screenwriter's perspective -- A director's perspective -- A producer's perspective -- Writing for cost-effective budgets -- Financing -- Writing is a team sport -- Studio due diligence: How the big boys cater to the little boys -- New media - New model - As significant as the majors -- Non-union vs. union writers' agreements -- Writers' protections -- Non-disclosure, non-circumvention, and confidentiality agreements -- Screenplay submissions -- The pitch.
650 4 _aMotion picture authorship.
_9325062
650 4 _aMotion picture authorship
_9782174
_xVocational guidance.
942 _2lcc
_cGB
_01
997 _aWU